#Pluraleyes 4 guide manual#
#Pluraleyes 4 guide full#
#Pluraleyes 4 guide pro#
#Pluraleyes 4 guide software#
#Pluraleyes 4 guide trial#

You start out by importing or ingesting all the clips into a Final Cut project. The way PluralEyes works is so simple for the editor, that it takes longer to explain вЂњwhyвЂќ than to explain вЂњhowвЂќ.

#Pluraleyes 4 guide pro#

It also lets you use full-blown pro camcorders in situations where establishing common timecode sync is impractical. This makes it possible to use smaller, prosumer camcorders in multi-cam projects without creating a synchronization nightmare in post.

#Pluraleyes 4 guide manual#

The bottom line is that PluralEyes gives you a way to quickly and accurately sync cameras without the use of timecode or manual reference marks. In the examples IвЂ™ve seen and tested, the camera tracks can be pretty distorted, which means PluralEyes can still perform the analysis with less-than-pristine audio tracks, as long as it can sufficiently interpret the waveform to establish sync. PluralEyes wonвЂ™t adjust for any sync drift, so such audio tracks still need to be properly recorded. If you are shooting a concert, the wild audio from the cameras can be synchronized to the clean audio recording fed from the mixer to an audio recorder. On the other hand, audio-only clips can be synchronized. Picture-only (MOS) recordings still have to be lined up manually or by timecode. In order to work, you must have in-camera sound, even if itвЂ™s only a scratch track.

#Pluraleyes 4 guide software#

The software analyzes the waveform of a clipвЂ™s audio track and processes sync based on the commonality of the tracks among clips from different camera angles. ItвЂ™s not a plug-in, but a standalone application that works in tandem with FCP.

It synchronizes clips based on common audio. PluralEyes is designed for Final Cut Pro editors. For instance, the same frame in each camera angle, just where the singer touches his nose in a unique way! Obviously this can become incredibly time-consuming and often not very frame-accurate. In the absence of either clapsticks or valid timecode, you often find yourself looking for things that become a common reference point. In the film example, the point where the sticks clap shut provide a good mark-in-point. Typically these let you sync clips by matching timecode or by marking an in-point at some common event and aligning the source clips accordingly. Most modern NLEs have multi-cam editing tools. The latter often happens when a camera gets powered down and back up in the course of the production. More often than not, this doesnвЂ™t go according to plan once in the thick of the production вЂ“ or the timecode starts out close and drifts out. In a film-style shoot, they might have started each take with clapsticks. Under the best of circumstances you might be able to get the crew to internally sync the cameras to time-of-day timecode at the beginning of the day or get them to occasionally shoot a large LED timecode display somewhere within a concert venue. In the case of digital run-and-gun projects (like a low-budget rock concert or reality TV productions), the cameras are running wild and not necessarily synced to each other. Obviously timecode is ideal, but this only works properly when all cameras were fed from a genlocked master timecode generator. When you work multi-cam shows, proper sync is essential to line up the camera iso recordings in post.

вЂњYou have GOT to see it,вЂќ was the comment I often heard about PluralEyes during that week. Without a doubt, every editor friend I ran into at NAB that happened to pass by Singular SoftwareвЂ™s booth raved about this product.

You can continue to use Syncaila under shareware terms or register Syncaila by purchasing a license key.If youвЂ™ve ever edited multi-cam shows where the production crewвЂ™s attitude seemed to have been, вЂњSync! We donвЂ™t need any stinkinвЂ™ sync!вЂќ вЂ“ then this software is for you.

#Pluraleyes 4 guide trial#

Once the 20-day trial period is over, Syncaila will switch to free mode, unlimited in time of use, but limited in synchronizing capacity (20 clips on 2 tracks).

#Pluraleyes 4 guide full#

It has a 20-day fully functional trial period.Дuring this time, Syncaila works exactly the same as the full registered version. Syncaila works as a standalone application and supports the Final Cut Pro XML file format. Due to this, it produces a synchronization of the highest quality even in the most complex projects with a large number of tracks, a variety of formats and under noisy shooting conditions. Syncaila is based on unique algorithms that simulate the video editorвЂ™s logic. Syncaila does not require a timecode and searches for audio matches. It saves time and effort for maximum concentration on creative editing tasks.

The purpose of Syncaila is to free the video editor from the manual synchronization routine. Syncaila is a tool for video editors, which performs a completely automatic synchronization of audio and video footage from multi-camera shoots.